{"id":25172,"date":"2024-07-26T10:48:51","date_gmt":"2024-07-26T08:48:51","guid":{"rendered":"https:\/\/etnomuzykologia.uwr.edu.pl\/2024\/07\/26\/famadihana-na-drodze-do-zaswiatow-madagaskar-etnomuzykologia\/"},"modified":"2024-08-03T13:51:20","modified_gmt":"2024-08-03T11:51:20","slug":"famadihana-road-to-hereafter-madagascar","status":"publish","type":"post","link":"https:\/\/etnomuzykologia.uwr.edu.pl\/en\/2024\/07\/26\/famadihana-road-to-hereafter-madagascar\/","title":{"rendered":"Famadihana. On the road to the hereafter"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"681\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-1024x681.jpeg\" alt=\"Obrz\u0119d famadihana\" class=\"wp-image-25064 size-full\" srcset=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-1024x681.jpeg 1024w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-300x199.jpeg 300w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-768x510.jpeg 768w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-1320x877.jpeg 1320w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-24x16.jpeg 24w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-36x24.jpeg 36w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-48x32.jpeg 48w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><strong>Bonjour! Another example of traditional Malagasy practice is&nbsp;<em>famadihana<\/em>&nbsp;(locally&nbsp;<em>okatrarana<\/em>), the ritual exhumation of human remains with reburial. We had the opportunity to observe this ceremony in the village of Ambatorao in the northern part of Sainte-Marie Island.<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<p>The event officially opens and closes with a&nbsp;<em>kabary<\/em>&nbsp;\u2013 a public speech by a group of clan (family or village) elders. During the ceremony, which is one of the oldest Malagasy traditions, the remains of a man buried five years ago are unearthed. The ritual represents the final stage of the deceased&#8217;s spirit&#8217;s passage into the afterlife and involves removing the bones from the ground, wrapping them in a pure white&nbsp;<em>lamba<\/em>&nbsp;(traditional cloth\/scarf) and depositing them in a concrete sarcophagus along with rum, perfume, money and other paraphernalia. During this ritual, the remains of the other deceased were also transferred from the wooden sarcophagi to the concrete ones. This activity can only be performed during&nbsp;<em>famadihana<\/em>&nbsp;\u2013 visiting the cemetery under other circumstances is taboo. The spirit of the deceased (<em>lolo<\/em>) is active and can be dangerous to the living. Over time, it calms down, &#8216;neutralises&#8217;, thanks to propitiatory prayers, still performed during the official part of the&nbsp;<em>famadihana<\/em>&nbsp;\u2013 during the&nbsp;<em>yoro<\/em>&nbsp;(prayer led by a group of older men).&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-1024x683.jpeg\" alt=\"Obrz\u0119d famadihana\" class=\"wp-image-24965\" srcset=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-1024x683.jpeg 1024w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-300x200.jpeg 300w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-768x512.jpeg 768w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-1320x880.jpeg 1320w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-24x16.jpeg 24w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-36x24.jpeg 36w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-48x32.jpeg 48w, https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476.jpeg 1500w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<p>The celebration is an important part of community life, bringing together whole families. It has a cheerful character \u2013 the celebrations include dancing, singing, drinking alcohol and integration in the broadest sense. This atmosphere accompanies both the ceremonies taking place in the cemetery and the subsequent procession heading for the hosts&#8217; house, where the official part of the ceremony ends. Afterwards, congregants continue to party all night, exhausting the stock of liquor accumulated by the family of the deceased.<\/p>\n\n\n\n<p>In Malagasy culture, death does not represent the end of human existence \u2013 the dead are &#8216;still alive&#8217; and can influence the well-being of descendants. The cult of the\u00a0<em>razana<\/em>\u00a0(ancestors) and their land is expressed in various activities of daily life and organises the attitude to the world around them; even those who leave Madagascar wish to return\u00a0<em>ad fontes<\/em>\u00a0and be buried in their native land.<\/p>\n\n\n\n<figure class=\"wp-block-video\"><video height=\"540\" style=\"aspect-ratio: 960 \/ 540;\" width=\"960\" controls src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/03.-Pochod.mp4\"><\/video><\/figure>\n\n\n<div class=\"bs_gallery\" id=\"bs_gallery_6a077d47be3fc\" data-block-type-identifier=\"bs-mozaic-gallery\">\r\n    <div class=\"bs_gallery__images-container\">\r\n                    <div class=\"bs_gallery__column\">\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-1024x681.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"0\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5677-1024x683.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"4\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5842-1-1024x683.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"8\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    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src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5712-1024x683.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"5\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5896-1024x683.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"9\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3858-1024x681.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"13\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    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data-bs-lightbox-set-slide=\"3\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5831-1024x683.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"7\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                                    <div class=\"bs_gallery__image-element\">\r\n                        <img decoding=\"async\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3824-1024x681.jpeg\" alt='Obrz\u0119d famadihana' data-bs-lightbox-set-slide=\"11\" class=\"bs_gallery__img\" tabindex=\"0\">\r\n                    <\/div>\r\n                            <\/div>\r\n            <\/div>\r\n\r\n    <div class=\"bs_gallery__lightbox-bgc\" data-show-lightbox=\"false\" data-current-offset=\"0\" data-gallery-parent-id=\"bs_gallery_6a077d47be3fc\">\r\n    <div class=\"bs_gallery__lightbox\">\r\n        <div class=\"bs_gallery__lightbox-topbar\">\r\n            <span class=\"bs_gallery__lightbox--buttons bs_gallery__lightbox-topbar__item\" tabindex=\"-1\" role=\"button\" title=\"Close lightbox window\" data-bs-lightbox-action=\"close\">Close<\/span>\r\n        <\/div>\r\n        <div class=\"bs_gallery__lightbox-main\">\r\n            <div class=\"bs_gallery__lightbox--buttons bs_gallery__lightbox-main__button\" data-bs-lightbox-action=\"prev\"><span>&larr;<\/span><\/div>\r\n            <div class=\"bs_gallery__lightbox--content-box\">\r\n                <div class=\"bs_gallery__lightbox-main__images-slider\">\r\n                    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-1024x681.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5469-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5611-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5677-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5712-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5730-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5831-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5842-1-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5896-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5968-1024x683.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3824-1024x681.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3857-681x1024.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3858-1024x681.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n    <div class=\"bs_gallery__lightbox-main__images-slider__item\">\r\n        <img decoding=\"async\" class=\"bs_gallery__lightbox-main__images-slider__item-image\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3882-1024x681.jpeg\">\r\n        <p class=\"bs_gallery__lightbox-main__images-slider__item__caption\"> <\/p>\r\n    <\/div>\r\n                <\/div>\r\n                <div class=\"bs_gallery__lightbox-main__minimap\">\r\n                                                                                                    <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"0\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"1\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5469-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"2\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5611-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"3\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5476-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"4\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5677-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"5\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5712-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"6\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5730-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"7\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5831-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"8\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5842-1-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"9\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5896-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"10\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/DSCF5968-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"11\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3824-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"12\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3857-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"13\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3858-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                                                <img decoding=\"async\" class=\"bs_gallery__lightbox-main__minimap-image\" data-bs-lightbox-set-slide=\"14\" src=\"https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3882-150x150.jpeg\" data-bs-lightbox-is-active=\"false\">\r\n                                                            <\/div>\r\n            <\/div>\r\n            <div class=\"bs_gallery__lightbox--buttons bs_gallery__lightbox-main__button\" data-bs-lightbox-action=\"next\"><span>&rarr;<\/span><\/div>\r\n        <\/div>\r\n    <\/div>\r\n<\/div>\r\n<\/div>\n\n\n<p>Photos by Joanna Kwapie\u0144 and \u0141ukasz Smoluch<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bonjour! Another example of traditional Malagasy practice is&nbsp;famadihana&nbsp;(locally&nbsp;okatrarana), the ritual exhumation of human remains with reburial. We had the opportunity to observe this ceremony in the village of Ambatorao in the northern part of Sainte-Marie Island. The event officially opens and closes with a&nbsp;kabary&nbsp;\u2013 a public speech by a group of clan (family or village) [&hellip;]<\/p>\n","protected":false},"author":9664,"featured_media":25067,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[290,284],"tags":[],"class_list":["post-25172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-madagascar","category-news"],"featured_image_urls_v2":{"full":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816.jpeg",1500,997,false],"thumbnail":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-150x150.jpeg",150,150,true],"medium":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-300x199.jpeg",300,199,true],"medium_large":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-768x510.jpeg",768,510,true],"large":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-1024x681.jpeg",1024,681,true],"1536x1536":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816.jpeg",1500,997,false],"2048x2048":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816.jpeg",1500,997,false],"menu-24x24":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-24x16.jpeg",24,16,true],"menu-36x36":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-36x24.jpeg",36,24,true],"menu-48x48":["https:\/\/etnomuzykologia.uwr.edu.pl\/wp-content\/uploads\/sites\/604\/2024\/07\/IMGP3816-48x32.jpeg",48,32,true]},"post_excerpt_stackable_v2":"<p>Bonjour! Another example of traditional Malagasy practice is&nbsp;famadihana&nbsp;(locally&nbsp;okatrarana), the ritual exhumation of human remains with reburial. We had the opportunity to observe this ceremony in the village of Ambatorao in the northern part of Sainte-Marie Island. The event officially opens and closes with a&nbsp;kabary&nbsp;\u2013 a public speech by a group of clan (family or village) elders. During the ceremony, which is one of the oldest Malagasy traditions, the remains of a man buried five years ago are unearthed. The ritual represents the final stage of the deceased&#8217;s spirit&#8217;s passage into the afterlife and involves removing the bones from the ground,&hellip;<\/p>\n","category_list_v2":"<a href=\"https:\/\/etnomuzykologia.uwr.edu.pl\/en\/category\/madagascar\/\" rel=\"category tag\">Madagascar<\/a>, <a href=\"https:\/\/etnomuzykologia.uwr.edu.pl\/en\/category\/news\/\" rel=\"category tag\">News<\/a>","author_info_v2":{"name":"jkopaniecki","url":"https:\/\/etnomuzykologia.uwr.edu.pl\/en\/author\/jkopaniecki\/"},"comments_num_v2":"0 comments","acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Famadihana. On the road to the hereafter - Wroc\u0142aw Ethnomusicology<\/title>\n<meta name=\"description\" content=\"Death is not the end of life in Madagascar. 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